


A strange doorway appears in the basement of a furniture showroom.







The Backrooms itself is the undeniable star here, a surreal and visually stunning world that captivates people. That strong visual craft from director Kane Parsons is what most recommend, even if the story about a doorway in a furniture showroom feels thin and the pacing is a major, widely-agreed-upon slog. Chiwetel Ejiofor's performance as Clark stands out as a solid anchor, though his character gets a mixed reception. Overall, it’s a split reaction where the impressive, original atmosphere is constantly fighting against a frustratingly slow plot.
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